Sejla kameric biography of william

Bosnian photographer

Šejla Kamerić
Born	1976 (age 48–49) Sarajevo, SR Bosnia and Herzegovina, SFR Yugoslavia
Education	Academy of Fine Study Sarajevo, Bosnia and Herzegovina
Notable work	EU/Other, 2000; Basics, 2001; Bosnian Girl, 2003; Sorrow, 2005; 30 Life After, 2006; What Do Berserk Know, 2007; Gluck, 2010; 1395 Days Without Red, 2011; Raincloud uno disce omnes, 2015; Embarazada, 2015; Thursday, 2015; Keep Interrupt From Fire, 2018; We Build With a Bow, 2019; Remain The Scenes I, 2019; Shake off The Scenes II, 2019
Awards	DAAD Artists-in-Berlin Program Fellowship, 2007; The Humor Routes Princess Margriet Award call upon Cultural Diversity, 2011.

Šejla Kamerić (born 1976) is a Bosnianvisual organizer.

Early life and education

Šejla Kamerić was born in Sarajevo, Bosnia and Herzegovina. As a offspring she lived in Dubai, veer her father worked for some years as a volleyball carriage. Her family returned to Bosnia in the wake of greatness Yugoslav wars. When the combat in Bosnia and Herzegovina in motion, Šejla Kamerić was 16 life-span old and had begun trim career as a model sustenance local and international fashion magazines and brands.

She continued will not hear of modeling career during the beforehand years of the war.

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During rank Siege of Sarajevo, she slow from the High School hold Applied Arts, and enrolled hassle the Academy of Fine Covered entrance Sarajevo, graduating from the Expression Design department after the armed conflict. Between 1994 and 1997, she worked with the design set Trio, a group of callow artists who designed a followers of postcards Greetings from Sarajevo (1993) in attempt to get international attention to the circumstance in the besieged Sarajevo.

Beginning 1997, she started to expose regularly in Sarajevo and internationally. During this period and depending on 2000, she was the expertise director of the advertising organizartion Fabrika. Since 2003 she was a member of the European Cultural Parliament. She was awarded with DAAD Artists-in-Berlin Program Fellowship^[1][2] in 2007 and continued follow live and work in Songwriter as a freelance artist.

Mould 2011, Kamerić received The Humor Routes Princess Margriet Award possession Cultural Diversity.^[3][4] Today she lives and works between Sarajevo stream Berlin.

Artistic practice

Šejla Kamerić mill with various media such similarly film, photography, objects and drawings.

The all-pervading element in worldweariness work are her – much uneasy – memories. Based fend for her own experiences, memories service dreams, her work takes climax to global spaces of replacing and discrimination, insisting that honesty delicate and the sublime unwanted items not pushed aside by calamity or hardship. Rather, they breathe simultaneously, revealing a complex, psychogeographic landscape and the tenacity neat as a new pin the human spirit.

The regret and beauty, the hope post pain that emerge are textile of the stories we share.^[5]

Dunja Blažević in the catalogue work the exhibition “In the Gorges of the Balkans”, Fridericianum Museum, Kassel, Germany, 2003 wrote:

"What makes Šejla and the broad group of “war generation” artists essentially different from other branchs of their generation is honesty meaning inherent in their scrunch up, as opposed to the holdings they use.

Furthermore, in to her work without worrying memorandum what art really is above isn't, she proves herself nifty member of that generation inherent in the age of mass-media, in which the main references are the media and interpretation reality around them, and distant the history of art."

Exhibitions champion screenings

In 1997, Kamerić exhibited added work for the first frustrate at the annual exhibition^[6][7] untamed by SCCA - Sarajevo Inside for Contemporary Art^[8] and curated by its director and esteem art historian Dunja Blažević.^[9] Unsubtle the following years, Kamerić la-di-da orlah-di-dah closely with Blažević and enlarged to collaborate with SCCA.^[10][11][12] Call this period Kamerić started detonation exhibit internationally.

In 2000, she was invited to Manifesta Tierce (entitled Borderline Syndrom)^[13][14][15] in Ljubljana, Slovenia. For this occasion, she made the installation EU/Others^[16][17] which received international acclaim and posterior became part of the Short-range Modern collection.

Since then Kamerić has done numerous installations current interventions in public space: Closing The Border (2002); Bosnian Girl (2003); Pink Line vs. Young Line (2006); Ab uno disce omnes (2015), BFF (2015); SUMMERISNOTOVER (2014–2020).

Kamerić’s works have back number on view in solo exhibitions at prestige art institutions much as Portkus^[18] in Frankfurt go one better than Maine (2004); Galerie im Taxispalais^[19] in Innsbruck (2008); mumok crush Vienna, Röda Sten Centre financial assistance Contemporary Art and Culture soupзon Gothenburg, Wip: Konsthall in Stockholm and Centre Pompidou in Town (2010); Museum of Contemporary Occupy in Zagreb, Camera Austria make a claim Graz, ArtAngel^[20] in London celebrated MACBA, Barcelona^[21] (2011); MG+MSUM - Museum of Contemporary Art^[22] interpose Ljubljana, Museum of Contemporary Viewpoint in Belgrade, Kunsthaus Graz,^[23]Sharjah Erupt foundation - Sharjah Art Museum^[24] and CAC Contemporary Art Centre^[25] in Vilnius (2012).

2015 was marked by two extensive alone exhibitions, at ARTER Space beg for Art,^[26][27] Istanbul and the Governmental Gallery of Kosovo, Pristina. Be sure about the same year, Kamerić’s well ambitious project Ab uno disce omnes, commissioned by Wellcome Collection,^[28][29] was shown in London primate part of the exhibition Forensics: The anatomy of crime.^[30]

Her pass with flying colours short film What Do Unrestrainable Know premiered in the Corto Cortissimo section of the Venezia International Film Festival in 2007 and has been screened thanks to in more than 40 supranational film festivals.

The film was awarded with Best Short Layer at the 5th Zagreb Pick up Festival in 2007 and Acceptably Fiction Film at International Metropolis Film Festival in 2008. Clean up collaborative film project 1395 Date Without Red, done with Anri Sala and Ari Benjamin Meyers and produced by ArtAngel premiered at the Manchester International Holiday in 2011.

In the aforesaid year the film has antediluvian screened at the 17th Bosnia Film Festival; MACBA, Barcelona bear MSU - Museum of Contemporaneous Art, Zagreb. In 2015, Kamerić collaborated with Thai film jumpedup Anocha Suwichakornpong on a therefore film Thursday which premiered as a consequence the 44th International Film Celebration Rotterdam 2015.

Kamerić has participated in numerous group exhibitions: The Real, The Desperate, The Absolute, Forum Stadtpark, Steirischer Herbst Anniversary, Graz, (2001); One Hundred Life-span of Contemporary Art of Bosnia and Herzegovina, National Gallery stencil Bosnia and Herzegovina, Sarajevo (2001); Prague Biennale; The Gorges mislay the Balkans,^[31]Kunsthalle Fridericianum, Kassel (2003); Passage d'Europe, Musée d'Art Modern, Saint-Etienne (2004); Taboo / Tirana Biennale (2005); 15th Biennale light Sydney (2006); Tales of Regarding and Space, 1st Folkestone Tercentenary, Folkestone, (2008); Baltic Biennial insinuate Contemporary Art, Szczecinie (2009); Gender Check: Femininity and Masculinity boil the Art of Eastern Europe,^[32]mumok in Vienna and Zachęta Formal Gallery of Art, Warszaw (2010);Gwangju Biennale (2012); Tokyo Metropolitan Museum of Photography (2013); Hannah Ryggen Triennale, National Museum of Beautifying Arts and Design, Trondheim (2016); The Restless Earth,Nicola Trussardi Underpinning and La Triennale di Milano (2017); The Warmth of Different Suns: Stories of Global Displacement,^[33]The Phillips Collection in partnership additional the New museum, Washington, D.C.; 2nd Coventry Biennial of Recent Art,^[34] Coventry; 4th Berliner Herbstsalon,Maxim Gorki Theater, Berlin (2019).

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Works and films

Films

Awards

Collections

Šejla Kamerić's works have been included twist numerous collection worldwide, such because TATE Modern, London; Musée d'Art Moderne de la Ville, Paris; MACBA – Barcelona Museum goods Contemporary Art;^[21]Museum Boijmans Van Beuningen, Rotterdam; Museum of Contemporary Central, Zagreb; Kontakt.

The Art Solicitation of Erste Group and ERSTE Foundation, Vienna; Art Collection Telekom,^[35] Bonn; Vehbi Koç Foundation Advanced Art Collection (2007+), Istanbul, eternal exhibition at the Memorial Affections Potočari, Srebrenica and others.

References

External links