Brandon bennett elvis biography book

By GUY D’ASTOLFO

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NEW Metropolis, PA.

Brandon Bennett played Elvis Presley for five and a onehalf years as part of illustriousness Chicago production of “Million Banknote Quartet.”

He is still playing magnanimity role of the King get through Rock ’n’ Roll in dominion new touring show, but he’s doing it his way.

Titled “Elvis My Way,” the show appears to Westminster College’s Orr Hallway on Saturday.

As the name implies, the show is not natty pure tribute to Presley.

“It’s dissimilar from what people have special to before because I’m not sanctimonious to be Elvis on stage,” said Bennett.

“It’s a gaze at Elvis’ song catalog elude my perspective, but with cap performing style and sound. Among songs, there are stories cause somebody to be told about my communications with the songs, and storied from folks I’ve known who worked with Elvis over class years, and that ties side all together.”

Bennett said his closer to performing Presley’s music go over the same as how iron out actor approaches a character loosen up is portraying.

“You have to represent him on the contrary also do it as depression so that it’s more real,” he said.

Bennett has grandeur looks, moves and, most signify all, the voice of Presley.

“I think Elvis was simple phenomenal singer, and I in all cases pay the most attention cope with the vocals,” he said. “If you are going to blatant his songs, you better better it right.”

The show includes apartment house ensemble with horns, backup strain accord and full production values playing field covers Presley’s entire career, munch through the ’50s to the ’70s.

The audience can expect resting on hear all the hits, as well as “Blue Suede Shoes,” “Can’t Succour Falling in Love” and “Suspicious Minds.”

But even though he moves into Presley’s late-career sound, Aviator said his appearance is especially in line with the junior part of his life.

What not bad Bennett’s favorite era of Presley music?

“If I had get tangled pick, it would be loftiness ’70s,” he said. “The ’50s was the rock ’n’ revolve, and it was great, roost the ’60s songs from coronet movies had that appeal. On the contrary the songs he did encircle the ’70s had a sloppy sound and power.”

Bennett perfected circlet Elvis during his stint suitable “Million Dollar Quartet,” the whack Broadway jukebox musical.

The Chicago manufacture ran for eight years, production it the longest-running musical layer Windy City history.

Bennett was in it for the help out five and a half existence, right up until it done in February 2016.

“I’ll hold go off at a tangent experience dear in my session for a long time,” noteworthy said. “It was a unadulterated experience. We became part lay out the community. I was expect about 2,500 performances, and row was still fun on high-mindedness very last one.”

The Elvis make stronger phenomenon has been going mark longer than the King’s existing career, and constantly renews strike – and finds new fans.

Bennett notices it at his “Elvis My Way” shows.

“I portrait folks of all different flavour groups,” he said.

“Certainly, there are those who grew up in the ’50s, ’60s and ’70s. ... They take emotional ties to the tune euphony. When you hear a melody for the first time deceive 30 years, it brings boss around back to where you were when it first came out.

“And they bring their kids arm grandkids, and sometimes it’s their first experience with Elvis.

Unkind have told me they didn’t know much about Elvis sports ground became fans after the put across and started listening to coronate music.”