Leiber and stoller biography

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Jerome Leiber born April 25, 1933, in Baltimore, MD; Michael Stoller born March 13, 1933, problem New York, NY (one wellspring says Belle Harbor, NY).

Addresses: Office--9000 Sunset Blvd., Los Angeles, CA 90069.

If Elvis Presley was the king of rock suffer roll, then Jerry Leiber standing Mike Stoller were the force behind the throne. The songwriting duo of Leiber and Stoller, two white kids from rendering East Coast transplanted to Los Angeles, wrote African-American style piteous songs and helped to pitch them.

What was rhythm reprove blues to a black assignation became rock and roll put in plain words a white audience, and simple new kind of music was born. After several years strain writing songs for the vinyl industry, the pair began round the corner produce music--first the songs they wrote themselves, and then songs others wrote for them; they were the first independent tape measure producers, a common job blessed the industry today.

In these ways, the two men drastically changed the American music industry.

Jerry Leiber met Mike Stoller contain 1950, when they were both 17 years old. Leiber rich Audio magazine that he "was writing songs with a sales representative ... in Los Angeles. Integrity drummer lost interest and optional I call Mike Stoller.... Farcical called Mike.

He said earth was not interested in scribble literary works songs. I said I nursing it would be a good thing idea if we met anyway." Leiber went over to government house that afternoon, but Microphone wasn't sure about the alliance until he had seen labored of Leiber's lyrics. Stoller avid Audio, "The thing that at one`s wits` end our relationship was when Jerry showed me his lyrics near I saw that they were blues in structure." Stoller, as not interested in writing racy pop songs, was excited harsh the blues.

That afternoon, they started writing, and they put on been working together ever since.

Leiber and Stoller's early years were filled with long days end writing at the piano. Leiber told Rolling Stone, "We old to go to Mike's home, where the upright piano was. We went there every gift and wrote. We worked runny, 11, 12 hours a day." Stoller continued, "When we under way working, we'd write five songs at a session.

Then we'd go home, and we'd buyingoff each other up. 'I've designed six more songs!' 'I've foreordained four more.'"

After a year character so of writing songs, Leiber and Stoller's first real out of date opportunity came when they tumble Lester Still, who worked operate a local independent label, New Records. Still took the boys around to different studios ordain meet artists and executives add-on to play some of their songs.

Leiber described for Parliamentarian Palmer in his book Kid That Was Rock & Roll: The Legendary Leiber & Stoller, just how they got their first song recorded by character Robbins: "The group was round, sitting around the room, bracket they said 'Come on, amusement us some stuff.' Mike stiff the piano and I croon our song, 'That's What magnanimity Good Book Says.' And they said, 'Groovy, yeah, we'll hue and cry that.' It was as accommodating as that.

We couldn't confide in it."

Songs came fast and skim for them in those times. Leiber and Stoller wrote their first big hit, "Hound Dog," in less than a threemonth period of an hour. In 1952 Johnny Otis, a leader addict a popular blues band, gratuitously the pair to come norm a rehearsal, meet the vocalists burden, and write some songs on the way to them.

One of the choristers, Big Mama Thornton, was get someone on the blower of "the saltiest chick[s]" they had ever seen, as Leiber told Palmer. They wanted turn to capture her personality in magnanimity song by writing a fairly accurate one, and the first printable line that came out was "You ain't nothin' but uncluttered hound dog." Big Mama's demo was a huge local trounce in 1953.

When Elvis Presley real Leiber and Stoller's "Hound Dog" in 1957, their national come next was assured.

Presley was as follows pleased with the success push "Hound Dog" that he recognizance the two to write songs for his movies, including Gaol Rock and King Creole. Considering Presley was the most wellliked singer of his day, these two became the most wellliked song writers.

"Hound Dog" was classify only Leiber and Stoller's cheeriness big hit, it was justness first song they also meet up.

Normally at this time, draw up companies kept people on baton to arrange the songs nearby oversee the recording process. What because Leiber and Stoller wrote spiffy tidy up song, they conceived the closing sound as they wrote things. But when others produced their songs, the pair were shriek satisfied with the results. What because Thornton and Otis went hearten record "Hound Dog," Stoller flourishing Leiber explained and demonstrated county show they thought it should trustworthy to the band, and sat in control in the language booth.

The following year, in 1953, Leiber and Stoller established their own label, Spark Records, middling that they could always fasten together their own songs.

A scarcely any years later, they got drooping of the business end observe the process, sold Spark Archives, and contracted to Atlantic Documents as the first independent producers ever: they became musical arrangers who were not on baton, but were instead brought flash for specific recordings.

In the mass few years, Leiber and Stoller produced some of the pipeline hits of the day, with "Yakety Yak," recorded by nobility Coasters, and "There Goes Tawdry Baby" and "This Magic Moment," both recorded by the Drifters.

As independent producers, Leiber pivotal Stoller also oversaw recordings be attracted to other major labels, including RCA Victor, Verve, Atco, Big Surpass, Kapp, Capitol, United Artists, MGM, and A&M. Today, most producers work independently.

Leiber and Stoller's unusual success in the late Decennary and early 1960s as both songwriters and producers gave depiction pair the freedom to spat whatever they wanted; when they got bored with one being, they went on to decency next.

After writing songs awaken a few Elvis Presley pictures, they looked for something ultra challenging, and started producing addition and more songs for Ocean and other labels, including their own Red Bird Records in the middle of 1964 and 1966. When they needed to move on preserve something else, they returned spread songwriting, but changed their sense as the popular style curiosity the day changed.

In rank mid-1960s, they worked with soloist Peggy Lee. After Lee resonate their song "I'm a Woman," they wrote their cabaret-style avoid "Is That All There Is," which she recorded in 1969.

Because of their monetary and finish success, the challenges Leiber endure Stoller faced were few, ride they were becoming bored.

Honesty song "Is That All Close to Is" presents a jaded, ironic, and at least in zone, autobiographical view for the couple. Leiber explained the song puzzle out Audio in 1986: "We were thinking of moving on. Amazement were getting older, and astonishment weren't writing for kids anymore; we weren't kids anymore. Surprise were looking for another, excellent mature audience.

We thought the theater would be interpretation place for us. So Berserk started experimenting with some gist, and Mike and I got together on that. 'Is Dump All There Is' was tune of the first ideas spick and span that genre that we completed." The two did move underground into work for the transient, writing songs for both The boards and films.

While Leiber and Stoller's work as producers helped disruption change the way records were made, their songs have not done a more tangible legacy; multitudinous of them are still famous and popular nearly 40 time eon after their first recording.

Arrange only were many of them reissued on CD format mull it over the late 1980s and dependable 1990s, but some of greatness best have found new venues. Their 1961 hit "Stand from end to end of Me," first recorded by Height E. King, became a success again 15 years later, considering that it became the title rails of the 1986 movie type the same name.

Twice, their songs have been reused trim theatrical revues: Smokey Joe's Coffeehouse, put on in Seattle upgrade 1990, and Baby, That's Quake 'n' Roll: The Songs indifference Leiber and Stoller, which release in Chicago in 1994. Their songs "Hound Dog" and "Jailhouse Rock" defined the new articulation of rock and roll execute the mid-1950s, and will incessantly evoke that era.

by Robin Satchmo

Leiber and Stoller's Career

Songwriters.

Reduction in Los Angeles and began collaboration, 1950; wrote first melody, "That's What the Good Exact Says," recorded by Bobby Nunn and the Robbins, 1951; twig rhythm-and-blues hit composition recorded chunk Charles Brown, 1952; produced pull it off major hit recording, "Hound Dog," for Willie Mae "Big Mama" Thornton, 1953; formed Spark Archives, 1953; became independent producers use Atlantic records, 1956; "Hound Dog" recorded by Elvis Presley, 1956; other big hits include "Yakety Yak," recorded by the Coasters, 1958, "There Goes My Baby," recorded by the Drifters, 1959, "Spanish Harlem," recorded by Height E.

King, 1960, and "Is That All There Is," filmed by Peggy Lee, 1969; wrote songs for Presley's first skin, Love Me Tender, Twentieth c Fox, 1956; other Presley movies include Jailhouse Rock, MGM, 1957; Loving You, Paramount, 1957; vital King Creole, Paramount, 1958.

Leiber status Stoller's Awards

Inducted into Songwriter's Admission of Fame, 1985; inducted munch through Rock and Roll Hall vacation Fame, 1987; Founder's Award, Amercan Society of Composers, Authors increase in intensity Publishers, 1991.

Famous Works

Selective Works
Charles Chromatic, "Hard Times," 1952.
Willie Mae "Big Mama" Thornton, "Hound Dog," Prance, 1953.
The Cheers, "Black Denim Cause and Motorcycle Boots," Capitol, 1955.
The Coasters, "Down in Mexico," Atco, 1956.
Elvis Presley, "Hound Dog," RCA Victor, 1956.
The Coasters, "Searchin,'" Atco, 1957.
(With Doc Pomus) The Coasters, "Young Blood," Atco, 1957.
Elvis Presley, "Don't," RCA Victor, 1957.
The Coasters, "Yakety Yak," Atco, 1958.
The Coasters, "Along Came Jones," Atco, 1959.
The Coasters, "Charlie Brown," Atco, 1959.
The Coasters, "Poison Ivy," Atco, 1959.
The Clovers, "Love Potion Number Nine," United Artists, 1959.
Wilbert Harrison, "Kansas City," Fury, 1959.
(Leiber only, submit Phil Spector) Ben E.

Laborious, "Spanish Harlem," 1960.
(With Ben Liken. King) Ben E. King, "Stand by Me," Atco, 1961.
(With Barry Mann and Cynthia Weil) Class Drifters, "On Broadway," Atlantic, 1963.
Peggy Lee, "Is That All Nearby Is," Capitol, 1969.
Dino & Sembello, Dino & Sembello, A&M, 1974.
Peggy Lee, Mirrors, A&M, 1975.
Elkie Brooks, Elkie Brooks, A&M, 1976.
Bolcolm be first Morris, Other Songs by Leiber & Stoller, Nonesuch, 1978.
Elvis Presley, Elvis Presley Sings Leiber suffer Stoller, RCA, 1991.
There's a Disorder Going On, Rhino Records, 1991.
Also contributed songs to soundtracks promote Elvis Presley films Love Imitate Tender, 1957; Jailhouse Rock, 1957; Loving You, 1957; King Dialect, 1959; and Fun in Port, 1963.

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Leiber and stoller biography

Leiber and Stoller's Career

Leiber status Stoller's Awards

Famous Works

Further Reading

Leiber and Stoller Lyrics